'An extraordinary debut ... River of Ink is what historical fiction should be: immersive, illuminating and captivating' The Times 'Vivid and compelling' Mail on Sunday 'A powerful and timely fable about freedom, resistance and the secret might of the weak' Financial Times _____________ From his humble village beginnings, Asanka has risen to the prestigious position of court poet in the great island kingdom of Lanka, delighting in a life of ease. But when the ruthless Kalinga Magha violently usurps the throne, Asanka's world is changed beyond imagination. To his horror, the king tasks him with the translation of an epic poem designed to civilise his subjects and snuff out the fires of rebellion... Asanka has always believed that poetry makes nothing happen, but as lines on the page become cries in the street he learns that true power lies not at the point of a sword, but in the tip of a pen.

To the god of old things To the gods of the riverbank To the god of hunters Assyria, in the reign of Ashurbanipal. For Aurya and her daydreaming brother Sharo, every day is a struggle for survival, as they dodge the beatings of their drunken father and scrabble for scraps of food. One violent evening, everything changes. Soon, they are on the barge of King Ashurbanipal, bound for the beautiful, near-mythical city of Nineveh. Their fates become inextricably bound to that of the king - and the injured lion captured by his men. Twenty-six centuries later, British-Iraqi archaeologist Katya joins a dig in Mosul to protect the ancient ruins of Nineveh from organised looters, following in the footsteps of her dead father. When she and Salim, a fellow archaeologist, discover an astonishingly beautiful and rare carving, they know their find will bring the world's attention to Mosul. But the real world crashes in to their studious idyll to catastrophic, devastating effect when ISIL storm Mosul - and take Katya, Salim and local girl Lola hostage. All Our Broken Idols is hauntingly evocative, a novel in which past and present lives intertwine and stories travel across the ages. It is a story about the importance of art and the threat it poses to those in power. And it is about bravery; standing up for what you believe in, and who you love.

'Superbly told' The Times 'Richly imagined' Sunday Times 'An engrossing, seamlessly written deliberation on the enduring power of art' Mail on Sunday Assyria, in the reign of Ashurbanipal. For Aurya and Sharo, every day is a struggle for survival. One evening, everything changes. Soon, they are on the barge of King Ashurbanipal, bound for the city of Nineveh. Their fates become inextricably bound to that of the king - and the injured lion captured by his men. Twenty-six centuries later, British-Iraqi archaeologist Katya joins a dig in Mosul to protect the ancient ruins of Nineveh from looters. But the real world crashes in to their studious idyll when ISIL storm Mosul - and take Katya, Salim and local girl Lola hostage. 'Dual timeline novels often fail: one strand is more interesting than the other, or the links between the two are contrived. Not here. Both stories are superbly told and share the same preoccupation - the coexistence of cruelty and creative beauty' The Times, Historical Novel of the Month